Norman Rockwell's America, Reader's Digest Edition by Christopher Finch, Joanne Greenspun

By Christopher Finch, Joanne Greenspun

This can be a nostalgic anthology of Norman Rockwell's affectionate and vigorous images of 20th-century American lifestyles. The illustrations characteristic work, drawings and pictures from each interval of Rockwell's profession as an illustrator, together with all his Saturday night put up covers.

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By Christopher Finch, Joanne Greenspun

This can be a nostalgic anthology of Norman Rockwell's affectionate and vigorous images of 20th-century American lifestyles. The illustrations characteristic work, drawings and pictures from each interval of Rockwell's profession as an illustrator, together with all his Saturday night put up covers.

Show description

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Additional info for Norman Rockwell's America, Reader's Digest Edition

Sample text

The early forties— he has more complex portrayal of some purely practical factors to Starting with the issue dated changed the layout formula of its cover, giving Rockwell a good Also important is the fact that Ken editor in 1944, decided that the cover should present, Stuart, who was appointed art week by week, a cumulative and almost documentary portrait of the changing face of the nation. What we find in Rockwell's later abandonment of his to unresolved work. elements into a with the < 25. Commuters.

The Four Freedoms suite, but most characteristic response war was his involvement with the plight of the little guy— the clerk or garage mechanic—caught up in the turmoil of the times. Most of Rockwell's wartime work is filled, surprisingly perhaps, with warmth and humor. He invented Willie Gillis, possibly the most sympathetic of all fictional GIs. He painted soldiers, sailors, flyers, and marines, but with few exceptions, he showed them in informal, off-duty situations. Always he was trying to relate them to their everyday, peacetime environment.

By however, another tendency was beginning to this time, This was the tendency toward a naturalism of treatment which was to become the mean abandoned the myths which had inspired him up till that time; rather, it means that he chose to dress them up in the trappings of realism. Also Rockwell began to admit that growing up involved— growing up; we find, for example, students cramming for exams (Fig. 74). The 1934 cover showing a young man unwillingly dressed to represent "The Spirit of Education" for his part in a pageant (Fig.

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